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History
of Hospital Radio
An
article written by John Watson, Chairman of Hospital Radio
Perth.
The
1920's and 30's
When Thomas
Hanstock wrote to the General Post Office in 1921 seeking
permission to "conduct experiments with portable telegraph
apparatus", he was not to know that his initial idea
would result in hundreds of Hospital Radio stations across
the UK and many more worldwide.
It was
his interest in wireless receivers and his work with the Chief
Physician at York County Hospital that led to him demonstrating
to the indomitable Matron Steele, the potential of broadcasting
football commentary, church services and eventually gramophone
recordings to hospital patients.
It was
also to be the start of a long relationship between hospital
broadcasters and the GPO and British Telecom.
During
1925 and 26 the wiring was installed throughout the hospital
- 200 sets of headphones and 70 loudspeakers fed from a wireless
receiving set housed in a small alcove. In the mid thirties,
the facility was to be taken over by Cussins and Light and
the Radio Relay Company, who ran it from their premises in
York's Parliament Street.
The hospital
radio bug was with us, and it was catching. New stations began
to appear, at Oldham in 1933 and Tottenham in 1935 among others.
Although
some of these early services featured music - often performed
live - much of the broadcasting was speech orientated, football
commentary, church services, poetry and plays were the favourites,
much like today.
What we
would give now for these old hospital radio tapes. Some of
the best non music broadcasting ever relayed to hospitals.
Could they have featured the general strike, the arrival of
those most distinctive of dances, the Charleston and the Rumba?
Or, could it be that they would have reported the abdication
of Kind Edward VIII?
Whatever
the content of these early broadcasts, there is no doubt that
they were transmitted with the greatest regard for quality
and propriety. Standards set in the early days which have
led to the patient orientated services which now exist over
70 years later.
The
1940's and 50's
Stalled
for a period by the demands of World War II, it was not until
the 1950's that we saw a rapid expansion in Hospital Radio.
From a total of less than a dozen stations at the beginning
of the war there would be over 70 some 20 years later.
Keeping
true to the early years, most of these stations were sports
orientated, providing commentary from football, rugby and
cricket grounds. Even ice hockey, bowling and wrestling were
featured at some stations!
There
was a good reason for the sudden growth of hospital broadcasting.
The unlikely trigger was a director of Portsmouth Football
Club. Vernon Stokes was so impressed by his local volunteers
that he enthusiastically promoted the idea among other football
club directors. Consequently, clubs themselves became involved
in the launch of hospital radio services.
In 1952
there were only half a dozen services offering music to the
patient, but that soon multiplied. It was a time of rapid
expansion, more and more hospitals could boast a hospital
radio service of some sort. The arrival of the gramophone
record prompted many a station to be music based and as the
fifties came to a close popular music was accessible to more
people than ever before. Hospital radio was rapidly evolving
into the service as we know it today.
It was
not just the UK that saw the arrival of hospital broadcasting,
even in the fifties there were music services in both Japan
and the Netherlands, while a service in New York was famed
for broadcasting plays and live events to hospital patients.
If only
the technology had been available just think of the opportunities
for outside broadcasts - would they have featured the Coronation,
Roger Bannister running the first sub four minute mile or
even the stoicism of the people of Britain as they endured
the horrors of the blitz?
The
1960's
The swinging
sixties saw hospital broadcasting move up a gear. The huge
surge in record sales ensured that music was more accessible
than ever before, and the arrival of the domestic tape recorder
meant that anyone could record a programme then relay it later
to the hospital bedside.
Hospital
Radio became primarily a music based service as many organisations
realised that the landlines used by the sports team on a Saturday
lay unused for the rest of the week. in some cases, music
and sport were supplied to the same hospital by different
stations. Indeed, during the sixties nearly 70% of the new
music services were launched in towns where a sports service
already existed.
If Vernon
Stokes had been the major influence on the development of
Hospital Radio in the fifties then that influence passed to
the Toc H charitable organisation in the 1960's. Originally
responsible for launching about one third of the sports based
services, Toc H continued to support hospital broadcasting
throughout the 1960's. It encouraged the foundation of the
music services while encouraging regular football, cricket
and rugby broadcasts.
By the
end of the swinging sixties there were over 100 stations in
the UK, at least 90% of which were operating a music service.
Radio
One had arrived, and with it a number of local and regional
radio stations catering for the mass appeal of popular music.
These stations were to be staffed by people who were to become
household names, Tony Blackburn, Pete Murray, Emperor Roski.
Many of whom learned their trade at Radio Caroline or some
of the other pirate radio stations around the country. With
new local radio stations springing up with monotonous regularity,
it was to hospital radio that they turned for a new generation
of presenter, producer and technician. Visit any radio or
television studio in Britain today and you will find a wide
selection of their staff with a hospital radio background
- a testament to the training and development taking place
on a voluntary basis across the entire country.
No doubt
there are several people broadcasting to hospitals today who
will one day become household names.
The
1970's and 80's
The seventies
saw hospital broadcasting reach new heights. From just over
100 stations, numbers rose dramatically to the point where
virtually every hospital of any size - and many of the smaller
ones - had their own radio service.
The launch
of the National Association of Hospital Broadcasting Organisations
(NAHBO) in Hull was the catalyst that at last began to draw
these disparate organisations together and given them one
UK voice with which to deal with the wider world of landlines,
insurance, legal and political issues. It helped to establish
and promote good practice throughout the service. Hundreds
of stations, perhaps as many as 700 at one point, were broadcasting
on a daily basis. However, as the years went on there was
rationalisation.
Smaller
hospitals closed or amalgamated and with the arrival of the
larger regional hospital came the larger hospital radio station.
Often these stations would serve several hospitals - indeed
at one time one Manchester organisation was broadcasting to
21 separate hospitals. Some hospital radio services were to
close, others merged with neighbours or a local sports broadcasting
organisation; their joint efforts ensuring their survival.
Technology
had moved on too. The CD superseded the record, which had
for so long been the mainstay of the service. Record libraries
were indexed on computer rather than filing cards. Hospital
radio was growing up. It was not unusual to find studios built
to the exacting standards usually found at the BBC or local
independent radio.
Organisations
had to work harder than ever before, patients were spending
less and less time in hospital and ward visiting became even
more important amid the anonymous bustle and rush of the modern
infirmary. But it was that relationship with the patient,
that ability to speak to the listener perhaps only a few moments
before the programme went on air that marked hospital broadcasting
as something special. No other media has the ability to get
so close to its public. Over the years that has proved the
strength of the movement - patient orientated programming.
The
1990's and the 21st Century
As hospital
broadcasting moved into the last decade of the century, it
had never been in a stronger position. Now over 300 stations
were members of the NAHBO, or to use its working name the
Hospital Broadcasting Association (HBA).
While
on the one hand the arrival of the Lottery made fundraising
more difficult it also brought the opportunity to apply for
substantial help towards financing major projects. Indeed,
fundraising had never been approached so professionally. Many
stations were to embark on major projects with substantial
funding safely secured.
Technology
too had moved on. Where once hospital radio had benefited
from the mass production of the tape recorder, many now moved
into digital technology with mini-disk and recordable CD becoming
affordable studio equipment.
Computers
too played their part. From jingles and promos on computer
disk, the arrival of domestic PC's with huge hard disk capacity
allowed more and more stations to use one or more computers
to play-out their programmes. Suddenly it was possible for
hospital radio to be a more substantial service - broadcasting
patient orientated programming 24 hours a day, 365 days a
year. Lobbying of the authorities saw permission granted for
some stations to broadcast on low power FM - and, more recently
AM.
The development
of reasonably priced FM link equipment mean that broadcasting
to nearby hospitals or relaying live concerts and events could
be carried out without the need for ever more expensive land
lines. Just as in the early days, hospital broadcasters were
excelling in bringing the patient top class events from the
community, concerts, fun-days or sports commentary.
As we
explore a new century, there is no doubt that there will remain
a need for hospital broadcasting. No matter how hi-tech the
patient entertainment systems installed throughout hospitals,
there will remain a place for the visitor and broadcaster
who cares. In the future, as now and in the past, the most
successful stations will be those which at all times remember
their objectives and their commitment to bring entertainment
and cheer to the patients.
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